Clinton 78 wrote: "I find it interesting Ron that the only member (No-Kizu) who came to your rescue and backed you up was someone who signed up especially to post into this topic. Even then they took it as an opportunity to promote your artwork. So I suspect that 'No-Kizu' was in fact you Ron or one of your partners in crime. Strange thing is you appear to be reasonably talented at creating photographic montages and digitally touching them up, then selling them for obscene amounts of money. So it certainly is a shame that you chose to steal real artists work and pass it off as your own."
I never passed someone else's work off as my own and no one will ever be able to produce evidence from anywhere that I ever have. Regarding 'No-Kizu', I think he's the client who alerted me to your post originally, but I think your own agenda here is being revealed by such assumptions with no evidence. If you are who I think you are, and I'm pretty confident at this point, you need to make peace. I don't mind being called out if I make a mistake and I deserve it, which has happened and I've answered for it when it does, but what you've presented here as a barrage against me is simply unfounded.
I'm very aware that you are a digital artist, and as such you know that my painting of the 109 E is original - other than the composition which I've openly regretted using. I posted that overlap to reveal this to everyone and I can't imagine anyone - familiar with our process or not - taking the position that it's a copy of another's work. Something 'stretched' is obvious. The nose can match-up but everything else is dis-proportionally different.
If Mr. Bechennec is refuting my explanation regarding his piece then I need to hear from him right away. In fact I'll contact him myself and via any other means I can think of.
The only version of this painting that I ever marketed as being personally signed by Adolf Galland is right here:
And his autograph is in pencil on a separate card, for obvious reasons.
I made a business decision many years ago, in 2006, to never deal with autographs at all - at least not on my work in what used to be the traditional sense - because I'd heard too many horror stories about fakes out there in circulation, even among well known artists. Galland's, I understand, is the most copied of them all. Prior to that I'd offered some autographed pieces, mostly from Japan via my childhood best friend who was teaching English there, and that was only because they were far less apt to be suspicious and I knew their origins. I did print Galland's copied signature at the bottom of my painting of his aircraft when I first released it, but it was somewhere listed as 'personally signed' (which made no sense even then, in 2006 - I think - as most anyone would know regarding the best known WWII vet of all time). I moved to correct that immediately then. It was 'caught' by everyone, as you'd imagine that it would be. Again, this was something dealt with an age ago and there was no scandal associated with it.
I sincerely believe that what is going on here is that we have a person who feels that I slighted them very badly in the past. Instead of being up front and honest about both the slight and their own identity, they are searching the Internet, and in some cases just making things up, to smear me beyond anything that I deserve. I'm reluctant to say that because I know that it sounds like I'm trying to deflect the issue - but I'm really not. I feel that I've tried to answer each accusation very directly. But here's this person mixing a few truths with outright misrepresentations and as an artist and businessman - what else can I do but point this out? Am I ashamed of using someone else's composition in the past? Yes, I've said so. But I didn't steal the work. I've never used the work of another without permission. I most certainly did not try to pass off a 'new' print in 2006 as being personally signed by a famous and well known man deceased for 10 years - and on a public / commercial website!
As that radio commercial says:
"It's only a matter of time before someone posts something negative about your business on the Internet."
I'd like to again invite anyone troubled by anything in this thread to see for themselves what I'm all about and what my full history truly is. I'm on Facebook, Flickr, MySpace, eBay, and I have my own Cole's Aircraft website here:
http://ColesAircraft.com and my own Blog here:
http://colesaircraft.blogspot.com. My Facebook page (
http://www.facebook.com/groups/ColesAircraft) includes snapshots of my work in progress. Please see for yourself that I have over 75 completely original compositions that I've painted over the last several years. All of my aircraft relic displays are explained, and in many cases I've written some great stories that cover the specific excavations with photographs and provenance. All of that reveals me, my business, and everything I've ever done in totality.
- Ron