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"As Werk Nr 2450's unit was a night fighter unit its fighters would have been originally finished in the night-fighter scheme of 70/71/65 before being sent to Norway at the beginning of May 1940."
We do not know how Dr. Berge identified the colours on the wreckage. As far as we know he just eyeballed them and came to his own misguided conclusions. It is not like he catalogued his findings in any scientific manner so as to allow others to check his claims. Neither are his credentials as being an expert of early Luftwaffe camouflage paints and paint analysis known. Quite frankly I do not class Dr. Berge as someone who has the necessary expertise in such areas and I do not believe he is in a position to be claiming that such and such colours were categorically applied to the wreckage he had the good fortune to examine. I certainly do not class him as an expert in such areas. The wreckage was in such an advanced state of decay that none of the aircraft was able to be saved and only the propeller assembly is preserved and on display. The rest was broken up... That doesn't sound like a wreck whereby any kind of serious analysis could be achieved..."If the underlying colour scheme was 70/71, why hadn't the underlying 71 also morphed into 74? How was it that Berge was still able to identify it as 71? And don't forget, the 70/71 scheme had been on the aircraft since it was built in 1938; plenty of time for desaturation of the 70/71 colours to occur."
"I know of one Heinkel III P-1 (Werk Nr 1526) and two Ju 88s (Werk Nr 0880119 and Werk Nr 0886146) that have been raised from the depths in Norway in recent years. Presumably they were finished in the standard bomber top-surfaces scheme of 70/71 when they were lost. Had the RLM 71 on those aircraft morphed into 74 by the time they were raised? If not, why would the RLM 71 on Berge's 109C have been any different?"
Morphed into 74/75 is not an accurate statement in this context. The dark grey/green paints have altered to very dark greys from exposure. Nothing to do with the RLM 74/75 greys. One example I can cite is the well-known wreck you have already mentioned that resides at Duxford. I have examined the paintwork up close and the other surviving wing panels at Hawkinge BoB museum and although now grey in appearance it is abundantly clear from photos of the airframe in UK and US in the early 40's that it carried the standard RLM 02/71/65 pattern and colours that 99% of the other Bf 109s were carrying at the time."Can you cite any confirmed examples of 71 or 02 on recovered Luftwaffe aircraft that morphed into 74 or 75 over time?"
Again, Dr. Berg has not recorded his findings so as to allow his peers to scrutinize them. In all likelihood, he had prior knowledge that in general Bf 109 cockpits were mostly painted in RLM 02 at the time so confirmed his observation from that."Berge was able to identify the cockpit colour as RLM 02. Why hadn't that RLM 02 morphed into 75?"
"And if you want to know what RLM 02 looks like after being submerged in seawater for 63 years, here's a photo of part of Gelbe 16's radio equipment. It still looks like RLM 02 to me."
We do not know how close a match for 74/75 the observed paints on the surface were. I suspect they simply looked grey and Dr. Berg rather naively identified them as being 74/75. You are speculating as to what sources Dr. Berg had available to him."What are the chances of 71/02 morphing into such a close match to 74/75 that Berge was fooled into misidentifying them as 74/75? Although the scope of Berge's article does not include his methodology, there were several reference sources for RLM colours at the time he may have had access too. The L.Dv. 521/1 colour charts of 1938 and 1941, Karl Ries' L.Dv. 521 colour chart first published in 1963 and the L.Dv. 521/1 colour chart at the back of Hitchcock's "Messerschmitt O-Nine gallery" of 1973."
"I'm afraid I must disagree with your interpretation of the colours in that photograph. Desaturation or not, the wing looks like it's painted in 74/75 to me."
Berge's findings were initially dismissed here as a "field test" scheme and therefore not representative of fighter camouflage schemes of the time.
"Then Berge's qualifications were questioned."
"Then the question of paint surviving in sea water was raised."
And now we have the claim that Berge misidentified the colours on Werk Nr 2450 because 71/02 had morphed into 74/75.
Well here's a thought: rather than trying to manipulate the evidence so the 02/71 hypothesis can remain credible, how about simply letting the evidence speak for itself?
Because Berge's 109C is not the only piece of hard evidence for the 74/75 splinter pattern existing in 1940. How do you explain, for instance, the Duxford 109 E-3?
And how come no-one seems to be able to come up with a single piece of original wing skin with an RLM 02/71 pattern on it? A single piece of hard evidence like that would end this debate immediately. Aviation archaeologists have been digging up crashed planes for years now, so surely they would have found something with an 02/71 splinter scheme on it by now if it ever existed. I've yet to see any such evidence cited anywhere.
those ju88 pics are cool, I can see a very direct relation with the bf109 in Australia which has a very particular camo, on wing shares the same grey tonesI know the Ju 88A-1, WNr. 0880119 quite well. I worked with the guys restoring it to create detailed drawings of the aircraft to be displayed in the museum alongside the restoration. In fact, my drawings appear on the Ju88.net website you linked to above. The following photos show the exterior paint surface. As can be seen, zero evidence of the green hues of the original 70/71 scheme is evident on its post-recovery exterior. Instead, they appear as very dark greys... Are you now going to claim that the Ju 88 in the photos was painted RLM 74/75 too?
The colour is in the name grün = green
I guess we need some RLM official documents to see the original nomenclature for the 74 color and if dunkelgrau was the original name or grungrau a later addition, that's why the pictures support my statement
what source is that?
We need a bit of caution here: using the official (or maybe popular?) names of RLM tones is a "dangerous method" (to quote the name of the movie). Some of the colours are named with the same name (e.g. 72 and 73 are simply "grün"), there are grün-s and grau-s everywhere and some of them are easy to mismatch (as a shade!)Official war documents showing RLM71 DUNKLEGRUN and RLM74 GRAUGRUN.