GrauGeist
Generalfeldmarschall zur Luftschiff Abteilung
Thanks guys, glad ya' like it, she sure shaped up pretty well.
I'm on WR-E, Priest's now and next will be Zimmerman's Johnson's...
And then Jane III, the best for last!
I'll weather 'em as soon as I have all completed, weathering dulls the details to a certain degree, and I am trying to catch any details I may have missed before the final cut. Plus creating a weathering layer can be one of the hardest steps of the skin.
Dan, as far as the mission and the lack of co-operation by the AI...perhaps you can create a "mini" mission for the detailed parts of the movie. I had to do that in "End Game" because the escorts were zooming all freakin' over the place, the Luftwaffe scattered and I had a real dog and pony show on my hands. So I created a series of mini missions that focused on key points of the fight, using just the aircraft that would be in the focus at that point of the movie. It gave me much better control, and it also eliminated the sketching that was killin' me at the beginning. I took the footage from the mini missions and inserted them into the timeline as I was editing, it allowed me some real good scene ops, too.
By the way, did we ever come up with a photo of WR-I "Thunderwagon"? I know it looks like WR-B "JaneIII", but what about the noseart?
I'm on WR-E, Priest's now and next will be Zimmerman's Johnson's...
And then Jane III, the best for last!
I'll weather 'em as soon as I have all completed, weathering dulls the details to a certain degree, and I am trying to catch any details I may have missed before the final cut. Plus creating a weathering layer can be one of the hardest steps of the skin.
Dan, as far as the mission and the lack of co-operation by the AI...perhaps you can create a "mini" mission for the detailed parts of the movie. I had to do that in "End Game" because the escorts were zooming all freakin' over the place, the Luftwaffe scattered and I had a real dog and pony show on my hands. So I created a series of mini missions that focused on key points of the fight, using just the aircraft that would be in the focus at that point of the movie. It gave me much better control, and it also eliminated the sketching that was killin' me at the beginning. I took the footage from the mini missions and inserted them into the timeline as I was editing, it allowed me some real good scene ops, too.
By the way, did we ever come up with a photo of WR-I "Thunderwagon"? I know it looks like WR-B "JaneIII", but what about the noseart?