Looking good Kevin. As for the lighting, it's not that far off actually. I think maybe you used flash as well in the second pic, of the underside, judging by the colour of the shadow. Flash at close range will reflect its own colour temperature off a white background, giving a blue cast sometimes. You could use a blue 'daylight' bulb, available from artist supply stores, but you would have to set the white balance against this when you use it, by including a piece of white paper/card in the calibration shot. These bulbs work well with film cameras, as they're optimised for the correct colour temperature and balance, but some digital cameras get confused by them, and record the blue, like in the flash !
As long as you have a decent wattage of light which the camera can cope with for average lens/shutter settings, then again, just calibrate the white balance for this lighting set-up by including a piece of white paper in the first shot when setting the balance. The camera will then record tones correctly, or as near as possible. Without setting the whiter balance, the poor little electronic gizmos in the camera get confused, and choose the nearest shade it can find to white, for example a yellow object, or a light colour which might have yellow in it, like 'Sky' paint, often at the expense of other colours.
Hope this helps, and it's not as complex as it sounds - only takes a few seconds and one exposure.